Checking the song …
I can’t even …
Santa poppy (?), forget to mention one little thing
Cha-ching
I am lost in translation, probably for the best.
Checking the song …
I can’t even …
Santa poppy (?), forget to mention one little thing
Cha-ching
I am lost in translation, probably for the best.
His cover of Christmas (Baby Please Come Home) is particularly awful. The song is bad enough on its own but his version is just totally soulless and adds nothing. Much like him.
Yes, that is particularly soulless. The worst part is that we basically have to hear him due to CanCon rules, and there are only so many Canadian Christmas or holiday songs.
I should really start posting my rather eclectic sense of music (see: no one else likes it) more often. Right now, I’m vibing hard to ESA - Electronic Substance Abuse. Something about the heavy bass blasts and the danceable gloom is just hitting the right way this evening. But I love ESA overall, easily one of my favourite bands.
When I go to my goth raves, one of the occasional guest DJs, DJ Live Evil, plays some ESA here and there and it makes the floor light right up. It’s powerful music, man.
Its like…Rammstein and Daft Punk had a baby and i rather dig it.
My impetus for discovering a lot of this music was a genre called powernoise… I am honestly not even sure how I discovered powernoise, but I used to listen to a couple of online radio stations (Club RE:Noize and Moonslave Radio) that played it. Can’t find any trace of them these days. ![]()
But my favourite act is this Mexican dude who goes by Noiz+Zilenth. We are talking super super obscure music here, like, it’s a scene that basically only exists in Mexico, Germany and Belgium. Literally no idea how I even discovered this genre, but I love it so much.
How would y’all like some aggrotech from Venezuela with a fucking sick rap verse about halfway through in glorious LatAm Spanish?
Anyone fancy a modern, eminently danceable take on 80s Japanese New Wave?
Aural Vampire is one of those weird avant garde artists I randomly found on Spotify, and they are experimental as hell. My brother - who lives in Japan and sees a lot of concerts - tells me the sound is very “underground”, like deliberately antithetical to what big labels would want to sign.
Super, super diverse range of genres and styles.