Got my tax refund and Criterion had a sale.
These first two are an embarrassment of riches as they are two Criterion Collection films I have had before. I lent a friend Rushmore but I forgot who! It’s their copy now I hope they enjoy it.
Rushmore is when a Wes Anderson film started feel like a Wes Anderson film. Jason Schwartzman, Bill Murray (I think he’s cancelled for being a jackass but he delivers a good performance here), intricate handmade sets, overly particular language delivered methodically- it’s all here. Smaller budget and more natural than his later release- Rushmore is a lot of fan and I’m happy to welcome it back home to my basement shelves.
I was given a copy of this on DVD which is a nice gift, but I have basically no other DVDs. I sold it at a local Disc Replay with the knowledge that one day I would get it on Blu-ray. That day has come.
The Royal Tenenbaums is the Wes Anderson film that Millennials think of when you mention Wes Anderson. It’s also the one I’m the least familiar with. I’ve seen it maybe three times, but always while doing something else. I’ve always enjoyed it but never given it all of my attention. Excited to do that soon.
By the way, yes. I like Wes Anderson movies. I think they’re good.
I have seen and enjoyed many an Ingmar Bergman film but never had the pleasure of watching Scenes from a Marriage. I did however watch the HBO remake (re-envisioning) and loved it a fair amount more than the critics seemingly did. Regardless, very excited to dig in to both the original series and film.
If two of my friends called me up and said “hey we’re friends now”, I’d be excited unless there was the possibility of one of them sharing a terrible secret about me. Well Bob Dylan and Martin Scorsese don’t know a terrible secret about me, they are hanging out, and I’m excited.
I adore Boyhood. For a little bit there, I considered it among my favorite films. There are so many beautiful moments of truth. When I first saw it, I deeply related to the boy as his upbringing mirrored my own, at least in terms of 90s-00s zeitgeist exposure. Now I relate to the parents. And it makes me terrified to reach the end.
A lovely and honest movie. I love it.
Happy to put it on the shelf.